Chloé Arrouy (France, 1993, lives and works in Brussels, Belgium) explores the tensions between attraction and repulsion, softness and brutality, desire and renunciation. Through sculpture and installation, she shapes hybrid forms where metal bends, melts, scars, and rises. Her work evokes a ritualistic aesthetic, drawing from witchcraft, fetishism, and medieval reminiscences.

She enjoys working with found elements that she reshapes, as well as materials marked by time, questioning the memory of objects and their persistence in oblivion. Inspired by obsolete forms emptied of their former glory, her pieces carry their own weight, evoking those invisible yet enduring traces. In this in-between space, her works oscillate between latency and tension, the sacred and the trivial. They challenge the value of the residual and the strange beauty of what fades while refusing to disappear.